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Paul Armfield

paularmfield-potraitAfter many years playing bass in an assortment of bands, bookstore manager Paul Armfield eventually sat down with Joan Baez’s guitarist Adam Kirk and wrote and recorded a handful of songs. These demos came to the attention of a new label who comissioned an album.

With his collaborator and friend now in the States Paul turned to other friends to make up a scratch band- the remarkable Four Good Reasons who, along with producer Ian Caple (Tricky, Stina Nordenson, Jan Tiersenn) and arranger Dickon Hinchliffe (Tindersticks) created the album Songs Without Words. One of the tracks on the album- Paul’s self translated interpretation of a lesser know Jacques Brel song Why Should It Be That A Man Gets Bored, made it onto Barklay’s Brel compilation where it sat very comfortably alongside the likes of Bowie, Scott Walker, Nina Simone et al.

Those who got to see Paul live during this period, whether as a duo supporting Lambchop, solo with the Go-Betweens or with all four of the Good Reasons witnessed performances of intense emotions, wringing tears of laughter, joy and sadness from the audience on a nightly basis. After witnessing their performance at the Glastonbury festival James Delingpole raved in the Sunday Telegraph of his ’star find’. Since the release of the critically acclaimed second album Evermine in 2005 Paul has been busy, still selling books but also lending his upright-bass and saw playing skills to the wonderful Gramophone Party, doing a Vashti Bunyan with erstwhile cult ’70s folksters Shide And Acorn now resurrected as Stickman, and playing the occasional solo show.

Paul has also recently been putting the poems of Alfred Lord Tennyson to music and recently premiered the results in front of an approving Andrew Motion, these songs should hopefully see the light of day sometime soon. Which brings us up to date and the release of new solo album Blood, Fish and Bone on Artfullsounds on May 10th 2010. Although the new album was recorded live over only four days, each of those four days were separated by six month intervals, scheduled around the visits of Adam Kirk from his new home in San Francisco.

Paul and Adam were joined by JC Grimshaw and  drummer Rupert Brown in Rupert’s mostly valve studio. Unrehearsed, spontaneous, and full of the creaks and rumbles of furniture and outside traffic, the performances are also fairly hushed, partly as a response to the songs but also as a consideration to the terrible case of tinitus from which Rupert was suffering.

Collaborators

paularmfield-portrait adamkirk-portrait rupertbrown-portrait jcgrimshaw-portrait
barkleymckay-portrait jakerodrigues-portrait trevorsmith-portrait

12 Comments

12 Comments so far ↓

  • Wendy Harris

    Hi Paul

    Good to see you up and running. Looking forward to hearing Blood Fish and Bone. What a treat – a new CD! Can you save a copy for me for Tues evening please?

  • Jürgen Herrmann

    Hi Paul,
    the days are cloudy and cold, I sometimes wander through the network.
    I discovered your music. Small fine pearls are your songs. They impress me, thrifty by their clear instrumentation. In a time of chatter that is very beneficial. Greetings from an old tree, singing.

    warmly Jürgen

    http://justaloud.com/jessenin/

  • Michelle

    Hi Paul,

    Do you know about the annual Musical Saw Festival in NYC? You might want to check it out, to go play your saw there! If you don’t know about it: http://www.musicalsawfestival.org

    • Paul

      Hello Michelle. Are you the Saw Lady? I have often wanted to come to the Saw Festival it looks fantastic. One day maybe.

  • Luke

    Hello Paul, good to see the new website up and running – and very nice it is too. Very much looking forward to hearing you new album, I’m sure it’ll sit alongside Songs Without Words and Evermine as a favourite in my collection. Having recently come back to listening Songs Without Words in particular on a regular basis, I’m still constantly impressed by the intimacy, beauty and sheer poetry of your music.

    Looking forward to hopefully catching you live if there are future UK dates in the not too distant future.

    Keep up the good work,

    Yours,

    Luke.

  • murphy

    hello,
    remember me?¿Im jo´s son !!

  • Jonathan Skeet

    Greetings from Shanklin. Franz Romer asked me to send you greetings, so I’ve now done it!

  • Holger

    Hi Paul, there is a great concert review for the Bugewitz-Gig today in the ‘Nordkurier’. I will send it by Post. Hope you had a pleasant journey.

    All the best
    Holger
    http://www.myspace.com/kulturvereinweitblick

  • Rolf

    Hey Paul,
    Thank you for a Great Livingroom concert in Berlin!
    I never got your email adress. There’s a message from me on your myspace. My mail is hansenrolfster@gmail.com

    All the best,
    Rolf

  • Deborah Hodgson

    Hi Paul,
    Lovely to meet you at the Spyglass. Thanks for playing my Rossetti song with me. I look forward to hearing your Tennyson album.
    I’m back on the island singing in September and November. Hope to catch you at a gig.
    Deb

    • Paul

      Deborah, it was a treat, I hope our paths cross again sometime. A lovely voice you have. Did you check out Mary Hampton?
      Px

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